Today, I went over the script that my team had started while I was absent. I changed a couple things to make the film flow a little better, and also develop Tina's personality more. Bellow is the script:
office
Scene 1- TINA (40s), a woman with intense eyes and messy hair, hunches over a table piled high with history books. She scribbles furiously in a notebook, muttering complex equations under her breath. Her brow is furrowed in concentration, scratching her head.
CLOSE UP: Tina's hand circles a specific date in a book, then connects it with another date with a red pen.
Scene 2
INT. TINA’S APARTMENT - NIGHT
Tina paces the room, surrounded by whiteboards covered in intricate mathematical formulas. She gestures wildly, connecting lines and circles with markers. Papers with calculations litter the floor. Exhaustion is etched on her face, but her eyes sparkle with excitement.
TINA: 23 days, 28 days, 33 days... It keeps repeating throughout history!
CLOSE UP: Tina's finger traces the sequence "23, 28, 33" written on a whiteboard. A triumphant smile spreads across her face.
Scene 3
INT. TINA'S APARTMENT - DAY
Sunlight streams through the window. Tina is asleep on the couch, her notes and drawings scattered around her. The phone rings, jarring her awake. She scrambles to answer it.
TINA: Hello?
VOICE (O.S.): Tina, what the hell did you do?
Tina: what?
Boss: Have you not seen the news? Get to the office!
Tina changes the channel, that’s been on and playing the news channel the entire time.
NEWS ANCHOR: Breaking news! Earlier today we got intel that a “pattern” has been discovered throughout history. (hangs up phone)Cycles of 23, 28, and 33 days seem to keep repeat- (Tina turns the TV off) Tina's eyes widen in realization. A close-up shot of her face shows a mixture of fear and dawning comprehension.
Scene 4
Close up of tina grabbing keys
Wide of her slamming the door (WITH PANTS AND BLAZER ON SHOLDER)
SCENE 5
Wide of her pulling in
Tilt up of her getting up and putting on pants then putting on blazer
Medium of her walking out of frame
INT. TINA'S OFFICE - DAY
Anna stands before Mr. Thompson, her boss, who is pacing back and forth, his face contorted in anger. Papers are strewn across his desk.
MR. THOMPSON: How could you do this, Tina?! I specifically told you not to share those findings with anyone! Now the whole world knows!
We still need to put it into script format. Although, I added the walking to the car and arriving to make it a little less abrupt. I also added the bring the clothes with her because she is very professional. I wanted to emphasize how important the issue was, so it had her rush with her clothes in her hand. This shows how Tina is always very professional, which is something we really wanted to portray with this character.
After discussing with this interesting substitute we had in our AICE Media class, we decided to change the text of the news graphic, and the story written on the script. Our story is a mystery, so not developing what the book exactly pertains adds to the sense of wondering. This will also keep the viewer wanting to see more because "What exactly is so important about this book?" The finalized graphic is bellow:
The background is transparent so it sort of blends. There is a white rectangle behind the location and the headline. I will update on the finalized script tomorrow.